Beat Saber Review – Engrossing Musical Swordplay

When virtual reality became a real product we could have in our homes, the platform promised the potential of lush, engaging, and fully realized worlds. We’re still working toward that future, but while we’re waiting, Beat Saber offers one of virtual reality’s best experiences. It doesn’t create a new world to explore; instead Beat Saber focuses on placing you in a song and giving you the tools to participate in its rhythms in ways that traditional music games can’t.

In Beat Saber you use two light swords (one blue and one red), and you swing them using Move controllers. Red and blue blocks fly toward you, indicating which saber you should use to hit them. Along with being color coded, the blocks also have arrows dictating the direction of your chop. A blue block flying at you on your right with an arrow pointing north requires you to attack it from the bottom swiping upward. A red block coming from the left with an westward pointing arrow requires you to swipe through it from right to left. These blocks fly at you in time with the music booming in your ears, and when you find the rhythm and take down each block, you feel like you’re conducting a violent symphony. It’s beautiful.

A clinical description of how the gameplay works really doesn’t do it justice. Wielding lightsabers to destroy blocks as the music and light show fully envelops you lets you focus on the task at hand with extreme precision. The music and visuals fully take over your peripherals, engrossing you and making you feel the music. It wasn’t long before I was slashing blocks based purely on the rhythm, embracing the choreography of each song and focusing less on the arrows on the blocks. It makes the experience a fantastic showcase for the platform and genuinely feels like something that wouldn’t work outside of a headset.

With driving beats and dance-worthy intensity, every song is enjoyable and perfect for the style of gameplay Beat Saber offers. However, compared to other rhythm and music games, the diversity isn’t there. The original soundtrack (no licensed songs here) stays rooted in techno-centric beats, and there are only 16 so you end up playing the same songs a lot.

Despite the repeated songs, the gameplay doesn’t grow stale. Early on, you simply grasp for high scores, but you eventually encounter tasks like completing a song without making wide arm movements, or missing a specific number of blocks without failing. The campaign also offers a deep challenge, dipping into the extreme difficulties before showing you the finish line. Even if you’ve been playing Beat Saber for months in early access on Vive and Rift, the campaign offers a worthwhile and enjoyable challenge.

 

You have an assortment of options for tackling songs outside of the campaign. You can do no-fail mode (helpful for learning the more difficult songs), play without arrows on the blocks, or play with single-color blocks. You can also elect to turn on modifiers for score boosts, like playing a song at double speed or making the arrows disappear from the blocks right before you swipe through them. I liked all these modifiers and how they added gameplay variety, which is important considering the small track list.

Beat Saber is a must-play for anyone interested in virtual reality, but not for the reasons we typically associate with the platform. It won’t make you crane your neck to take in the majesty of your surroundings, but Beat Saber uses VR to place you into the music and taps into your carnal desire to hit things with swords. Years into its life, the gaming public is still unsure of this new way to play video games, but Beat Saber has the potential to convince skeptics to take another look.

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Artifact Review - Analytical Adventure

Valve’s Artifact was announced to mixed reactions at the Dota 2 International tournament in 2017. Artifact apparently signaled Valve’s return to active game development, but it is different from the studio’s signature series like Half-Life and Portal. Instead, Artifact is a card game set in the world of Dota, and it is designed by Richard Garfield, the creator of Magic: The Gathering. While Artifact is different from Dota 2’s team-based gameplay, much of the flavor and mechanics translate well into the three-lane game. If there’s one big similarity between the two Valve titles, it’s that some time and dedication are required to learning, understanding, and enjoying the game.

 

The easiest way to explain Artifact is that you’re playing three different games simultaneously with a single hand, and you need to use those cards to win two out of the three games (or win one of the games twice). Success is all about management and position; you need to make hundreds of decisions in a single game on both micro and macro levels. It’s overwhelming at first, but after many hours of play and mastery of the systems at work, the satisfaction of executing a perfectly timed game-winning move is immense. On the surface, Artifact appears to be a tangled web of randomness with so many aspects being left to chance, but corralling those variables and subtly working with the tide of each game creates an atmosphere unlike any other digital card game.

 

Everything hinges on your heroes. Your deck must contain five heroes, and they come with associated cards (Dota fans will recognize flavorful skills and abilities, but no previous Dota experience is required). These cards play well with the hero's stats and passive or active skill. For instance, one of the most powerful heroes in the game, Axe, doesn’t even have a passive. Axe is just a big pile of stats. As a red hero, Axe loves to fight and is more than a match for other heroes and creeps, so this is exactly where you want him, pummeling enemies into submission in direct combat with superior size. The other three colors all have their own specialties as well. Black focuses on gold acquisition, mobility, and assassination. Green has huge monster creeps available, huge health pools, and helpful buffs. Blue has frail heroes, but extremely impactful magic spells. You’re free to mix and match heroes and colors, but you can only play cards of a color in a lane with a corresponding color hero, so getting too bold could result in difficulty playing cards where you want.

 

 

Not only are you laying down creatures to attack your opponent and heroes and push the lanes, but you also gather gold from killing enemies. You spend this gold in the shop at the end of each round to buy various equipment that roughly falls into three categories: weapons, armor, and consumables. Just like in Dota, you want to have plenty of potions and town portal scrolls to keep your heroes healthy and moving to where they need to be. Big items can change the course of the game, but saving enough money to get them can be a losing strategy, as your opponent can dominate the board while you save.

 

Once you’re past the basics, higher levels of play open games within games, where bluffing and taking full advantage of initiative (who plays first in a lane) create game-defining big plays that can feel as epic as an Earthshaker Echoslam in Dota 2. If you’re willing to put in the time and effort, you’re rewarded with tons of satisfying gameplay. When is the right time to abandon a lane? Should you go all in on one lane or try to win two lanes? Should you commit heroes to defending a dead lane, and if so how many? Should you pass your turn to attempt to grab initiative back so you can make sure you have the first action during the next round? You’re going to be making an absurd number of choices, and they won’t always be right. As a longtime card game enthusiast, being faced with situations where there isn’t a definitive correct play is highly entertaining.

 

Constructed play takes a backseat to draft with the initial launch set. The metagame is already well established, and while things could change, powerful “best in every deck” heroes offer little flexibility in deckbuilding or room for creativity. Draft is another story, and is the best format available, allowing players to pick two cards out of packs until they create a full deck and take it into a string of battles. I hope the constructed format becomes more interesting as new heroes come into the game, but for now draft absolutely puts it to shame.

 

Players can play in free events with preconstructed Valve decks, free constructed/drafts with friends or random global players, and paid tournaments. Unlike many other digital card games, currently there are no progression systems or ways to earn cards outside of purchase.  All trades are made on the Steam market via buying and selling, so you can pick up exactly what you’re looking for, but you won’t be getting any free cards if you’re looking to build a collection. In this way Artifact feels like it’s hampered by an archaic physical card game model in the digital realm. While it’s not explicitly pay-to-win, it’s absolutely pay-to-compete and collect, and this feels restrictive – especially since you’re already paying a fee to purchase the game initially. Much can be said about psychological hooks that other digital card games employ to keep people playing and “grinding” but at least there’s an option to acquire cards slowly in those models. Here, you’re paying to engage in anything meaningful. Period. And it doesn’t feel good.

 

Artifact pulls a ton of flavor from Dota 2, but it’s not necessarily a game for Dota 2 players. Artifact is instead a highly cerebral card game of push and pull, with intense resource allocation and randomization management. Artifact is absolutely not for everyone, but it excels at creating a crazy strategy cocktail pulling from every bottle on the shelf. For card game fans, Artifact is not to be missed.

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Mutant Year Zero: Road To Eden Review – A Strange Mutation

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